If you've been keeping up with developments in the game, you'll know that a set of 54 GTA Online playing cards have been hidden around the state of San Andreas. This means that in addition to soaking up the opulence and trying out all the new games available in the GTA Online Casino , you'll also need to go on a treasure hunt around the island to find this complete deck of cards. As you can tell from the image we've marked below these collectible playing cards are real small, and although they glow when you get near them we all know the world of GTA Online is huge, so how exactly are you meant to go out and find them all?
Fret not, friends, as we're here to help you out by revealing where to find all 54 GTA Online playing cards, so you can hone in your search and scoop up the elusive collectibles in record time. Grab your favourite vehicle, hit the road, and visit these locations to complete your collection.
Other than appeasing the completionist in you, what's the point in tracking down all of these GTA Online playing cards? Well, for starters you'll earn RP and casino chips for each one you find, to give you a bit of pin money to play with on the slots or table games. The chips reward starts off at chips for each of the first five cards, then goes up by 50 chips for every subsequent card you collect for sixth, for seventh etc. This continues all the way up to 2, chips for the 54th card, meaning you'll earn 66, casino chips in total.
Collect all 54 of them and you'll unlock the exclusive High Roller Outfit to wear, which is pictured above and will be added to your wardrobe, plus a unique set of cards for your Penthouse suite Private Dealer to use.
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The above map shows the locations for all 54 GTA Online playing cards, which you should click on to expand and make it easier to follow. For further details on where to look, find the number from the map on the list below. Inside the guard booth at the northwest entrance to Fort Zancudo.
There's no easy way to grab this, so take out the guard s then quickly dash in before reinforcements arrive. The first playing cards in European Italy were hand-painted and beautiful luxury items found only among the upper classes. But as card playing became more popular, and methods were developed to produce them more cheaply, playing cards became more widely available. It was only natural that this new product eventually spread west and north, and the next major development occurred as a result of their reception in Germany, and one historian has described their rapid spread as "an invasion of playing cards", with soldiers also assisting their movement.
To establish themselves as a card-manufacturing nation in their own right, the Germans introduced their own suits to replace the Italian ones, and these new suits reflected their interest in rural life: acorns, leaves, hearts, and bells; the latter being hawk-bells and a reference to the popular rural pursuit of falconry. The queen was also eliminated from the Italian courts, and these instead consisted of a King and two knaves, an obermann upper and untermann under. Meanwhile the Two replaced the Ace as the highest card, to create a 48 card deck. Custom decks abounded, and suit symbols used in the novelty playing cards from this era include animals, kitchen utensils, and appliances, from frying pans to printers' inkpads!
The standard German suits of acorns, leaves, hearts, and bells were predominant, however, although in nearby Switzerland it was common to see a variation using flowers instead of leaves, and shields instead of hearts. The Germanic suits are still used in parts of Europe today, and are indebted to this period of history. But the real contribution of Germany was their methods of printing playing cards. Using techniques of wood-cutting and engraving in wood and copper that were developed as a result of the demand for holy pictures and icons, printers were able to produce playing cards in larger quantities.
This led to Germany gaining a dominant role in the playing card trade, even exporting decks to Western Europe, which had produced them in the first place! Eventually the new suit symbols adopted by Germany became even more common throughout Europe than the original Italian ones. Meanwhile early in the 15th century, the French developed the icons for the four suits that we commonly use today, namely hearts, spades, diamonds, and clubs, although they were called coeurs, piques, carreaux, and trefles respectively.
It is possible that the clubs trefles derive from the acorns and the spades pikes from the leaves of the German playing cards, but they may also have been developed independently. The French also preferred a king, queen, and knave as their court cards. But the real stroke of genius that the French came up with was to divide the four suits into two red and two black, with simplified and clearer symbols.
This meant that playing cards could be produced with stencils, a hundred times more quickly than using the traditional techniques of wood-cutting and engraving. With improved processes in manufacturing paper, and the development of better printing processes, including Gutenberg's printing press , the slower and more costly traditional woodcut techniques previously done by hand were replaced with a much more efficient production.
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For sheer practical reasons, the Germans lost their earlier dominance in the playing card market, as the French decks and their suits spread all over Europe, giving us the designs as we know them today. One interesting feature of the French dominance of playing cards in this time is the attention given to court cards.
In the late s French manufacturers began giving the court cards names from famous literary epics such as the Bible and other classics. It is from this era that the custom developed of associating specific court cards with famous names, the more well-known and commonly accepted ones for the Kings being King David Spades , Alexander the Great Clubs , Charlemagne Hearts , and Julius Caesar Diamonds , representing the four empires of Jews, Greeks, Franks, and Romans. The common postures, clothing, and accessories that we expect in a modern deck of playing cards today find their roots in characters like these, but we cannot be certain how these details originated, since there was much diversity of clothing, weapons, and accessories depicted in the French decks of this time.
But eventually standardization began to happen, and this was accelerated in the s when taxing on playing cards was introduced. With France divided into nine regions for this purpose, manufacturers within each region were ordered to use a standardized design unique to their region. But it was only when playing cards emigrated to England that a common design really began to dominate the playing card industry.
Our journey across the channel actually begins in Belgium, from where massive quantities of cards began to be exported to England, although soldiers from France may also have helped introduce playing cards to England.
Due to heavy taxes in France, some influential card makers emigrated to Belgium, and several card factories and workshops began to appear there. Rouen in particular was an important center of the printing trade. Thousands of decks of Belgian made playing cards were exported to countries throughout Europe, including England. In view of this, it is no surprise that English card players have virtually always been using the French designs.
But playing cards did not pass through Europe without the English leaving their stamp on them. To begin with, they opted to use the names hearts, spades, diamonds, and clubs to refer to the suits that the French had designated as coeurs, piques, carreaux, and trefles.
GTA Online Playing Cards locations: Where to find all 54 of the hidden playing card collectibles
We do not know why, but they based two of the suit names spades and clubs on the names of the Italian deck rather than directly translate the French terms piques pikes and trefles clovers ; one possible explanation is the Spanish suits were exported to England before French ones. The word diamond is also somewhat unexpected, given that the English word for carreau wax-painted tiles used in churches at the time was lozenge. Whatever the reasons, it is to usage in England that we owe the names that we use for the suits today.
The English government passed an Act that cards could not leave the factory until they had proof that the required tax on playing cards had been paid. This initially involved hand stamping the Ace of Spades - probably because it was the top card. But to prevent tax evasion, in it was decided that from now on the Ace of Spades had to be purchased from the Commissioners for Stamp Duties, and that it had to be specially printed along with the manufacturer's name and the amount of duty paid.
As a result, the Ace of Spades tended to have elaborate designs along with the manufacturer's name. Only in were approved manufacturers finally allowed to print their own Ace of Spades, but the fate of the signature Ace of Spades had been decided, and the practice of an ornate Ace with the manufacturer's name was often continued. As a result, to this day it is the one card in a deck that typically gets special treatment and elaborate designs.
The artwork on English court cards appears to have been largely influenced by designs produced in Rouen, Belgium, which produced large amounts of playing cards for export. They include details such as kings with crowns, flowing robes, beards, and longish hair; queens holding flowers and sceptres; and knaves that are clean-shaven, wearing caps, and holding arrows, feathers or pikes. But whatever variety was present, slowly disappeared as a result of the industrious efforts of Briton Thomas de la Rue, who was able to reduce the prices of playing cards due to increased output and productivity.
This mass production he accomplished in the s gave him a position of dominance in the industry, and the smaller manufacturers with their independent designs eventually were swallowed up, leading to the more standardized designs as we know them today. De la Rue's designs were first modernized by Reynolds in , and then again by Charles Goodall in , and it is this design that effectively still used today.
It was also around this time that double-ended court cards became common to avoid the need to turn the cards, thereby revealing to your opponent that you had court cards in your hand and the existing full-length designs were adapted to make them double-ended.
The Americans are late companions to our historical journey, because for a long time they simply relied on imports from England to meet the demand for playing cards. Due to the general public's preference for goods of English origin, some American makers even printed the word "London" on their Ace of Spades, to ensure commercial success!
From the earliest days of colonization there are even examples of native Americans making their own decks with original suit symbols and designs, evidently having learned card games from the new inhabitants. Among American manufacturers, a leading name from the early s is Lewis I. Cohen, who even spent four years in England, and began publishing playing cards in In he invented a machine for printing all four colours of the card faces at once, and his successful business eventually became a public company in , under the name the New York Consolidated Card Company.
This company was responsible for introducing and popularizing corner indices to the English pack, to make it easier for players to hold and recognize a poker hand by only fanning the cards slightly. Another printing company had already printed decks with indices in Saladee's Patent, printed by Samuel Hart , but it was the Consolidated Card Company that patented this design in First known as "squeezers", decks with these indices were not immediately well received.
A competing firm, Andrew Dougherty and Company initially began producing "triplicates", offering an alternative that used miniature card faces on the opposite corners of the cards. But new territory had been won, and indices eventually became standard, and today it is hard to imagine playing cards without them. One final innovation that we owe to the United States is the addition of the Jokers. The Joker was initially referred to as "the best bower", which is terminology that originates in the popular trick-taking game of euchre, which was popular in the midth century, and refers to the highest trump card.
It is an innovation from around that designated a trump card that beat both the otherwise highest ranking right bower and left bower.
The word euchre may even be an early ancestor of the word "Joker". A variation of poker around is the first recorded instance of the Joker being used as a wild card.